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Fine Arts 3D: Fibers |
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3DFB300 3D Seminar: Fibers 3 cr.
A forum for discussion of current contemporary art-making issues in fiber mediums. Students research the topics and artists important to their own development. Visiting artists, slide lectures, studio visits and exhibitions are incorporated. Students define and develop a personal body of work. An active journal with source material related to this work is required, as are mid-semester critiques and final semester review boards.
Lecture/Seminar
Departmental Requirement
Fall
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3DFB301 3D Seminar: Fibers 3 cr.
A forum for discussion of current contemporary art-making issues in fiber mediums. Students research the topics and artists important to their own development. Visiting artists, slide lectures, studio visits and exhibitions are incorporated. Students define and develop a personal body of work. An active journal with source material related to this work is required, as are mid-semester critiques and final semester review boards.
Prerequisites: 3DFB300
Lecture/Seminar
Departmental Requirement
Spring
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3DFB302 Special Topics in Fiber 3cr
This course responds to emergent issues or opportunities within the field of Fibers and its
associated discourses, with specialized content not otherwise offered as part of the core fiber
curriculum. The class typically combines studio work with a significant research and writing
component, and may include field trips, community engagement, or collaboration with outside
institutions.
Hybrid studio Critique
Fall and Spring
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3DFB302 Special Topics in Fiber 3cr
This course responds to emergent issues or opportunities within the field of Fibers and its associated discourses, with specialized content
not otherwise offered as part of the core fiber curriculum. The class typically combines studio work with a significant research and writing
component, and may include field trips, community engagement, or collaboration with outside institutions.
Hybrid Studio Critique
Fall and Spring
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3DFB322 Intermediate Weaving 3 cr.
An exploration of more complex weaving techniques, including computer-aided drafting, multiple harness, 3D weaves, and ikat. Projects emphasize contemporary uses of woven imagery and forms along with personal expression.
Prerequisites: 3DFB222
Hybrid Studio/Critique
All College Elective
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3DFB324 Advanced Papermaking 3cr.
THIS COURSE OFFERS STUDENTS WHO HAVE A BASIC UNDERSTANDING OF THE PAPERMAKING PROCESS, THE OPPORTUNITY TO EXPAND AND REFINE TECHNICAL SKILLS AND AESTHETIC CONCEPTS IN TWO AND THREE DIMENSIONAL APPROACHES TO HANDMADE PAPER. ADVANCED TECHNIQUES ARE EXPLORED THROUGH WORKSHOPS/DEMONSTRATIONS, BUT MAJOR EMPHASIS IS PLACED ON THE DEVELOPMENT OF A PERSONAL BODY OF WORK. SLIDE PRESENTATIONS, VISITING ARTISTS, AND A FIELD TRIP ARE INCLUDED IN THIS COURSE
Prerequisites: 3DFB224
Spring
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3DFB350 Adv. Studio: Fibers 3 cr.
Through assigned projects and workshops, students work with faculty to develop a personal body of work that represents depth and breadth of exploration of the fiber medium. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration.
Hybrid Studio/Critique
Departmental Requirement
Fall
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3DFB351 Adv. Studio: Fibers 3 cr.
Through assigned projects and workshops, students work with faculty to develop a personal body of work that represents depth and breadth of exploration of the fiber medium. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration.
Prerequisites: 3DFB350
Hybrid Studio/Critique
Departmental Requirement
Spring
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3DFB392 FIB Course Assistantship
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3DFB399 FIB Independent Study
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3DFB401 3D Seminar: Fibers 3 cr.
A forum for discussion of current contemporary art-making issues in fiber mediums. Students research the topics and artists important to their own development. Visiting artists, slide lectures, studio visits and exhibitions are incorporated. Students define and develop a personal body of work. An active journal with source material related to this work is required, as are mid-semester critiques and final semester review boards.
Prerequisites: 3DFB300, 3DFB301, 3DFB400
Lecture/Seminar
Departmental Requirement
Spring
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3DFB422 Advanced Weaving 3 cr.
An exploration of more complex weaving techniques, including computer-aided drafting, multiple harness, 3D weaves, and ikat. Projects emphasize contemporary uses of woven imagery and forms along with personal expression.
Prerequisites: 3DFB322
Hybrid Studio/Critique
Departmental Elective
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3DFB450 Advanced Fibers Studio 3 cr.
Development of a coherent body of work through coordination of the student’s personal sources, intent and technical abilities. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration. A research component complements the studio work to further develop the student’s knowledge of historical and contemporary fiber art.
Hybrid Studio/Critique
Departmental Requirement
Fall
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3DFB451 Advanced Fibers Studio 3 cr.
Development of a coherent body of work through coordination of the student’s personal sources, intent and technical abilities. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration. A research component complements the studio work to further develop the student’s knowledge of historical and contemporary fiber art.
Hybrid Studio/Critique
Departmental Requirement
Spring
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Fine Arts 3D: Glass |
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3DGL101 Introduction To Glass: A Survey 3 cr.
This is a studio foundation course that is meant to both acquaint students with the glass studio and to teach a survey of the techniques that are required for glass fabrication. Areas of focus will include: glassblowing, kiln casting, fused glass, sand casting and a general cold glass overview. Studio time will include lectures covering a survey of glass art history and visits with local glass artists.
Studio
All College Elective
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3DGL105 Flexible Systems in Glass Using the Language of Fibers 3cr
Glass Textiles explores flexible and tensile
systems in glass using the language of fibers.
The class is organized as an inter-disciplinary
think tank, working collaboratively in small
teams, to innovate, troubleshoot and resolve
material-based experimentation. Questions include
* what / how is a glass thread? * what do fiber
substrates and tensile joinery make possible? *
why / how to create responsive behavior through a
flexible, particulate system?
Hybrid Studio Critique
Spring
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3DGL202 Optics in Glass 3cr
Optics in Glass explores a range of optical
phenomena through the materiality of glass, such
as reflection, refraction, interference,
transmission and projection. By investigating
materiality and phenomenology of glass, students
learn to record / embed action in material and
create optical devices as well as ephemeral
experiences.
Hybrid Studio Critique
Fall
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3DGL231 Glassblowing 3 cr.
An introduction to basic glassblowing techniques used to make vessels and sculptural forms. Group glassblowing clinics encourage team work. Progressively more difficult assignments develop skill and concepts. Historical and contemporary glass techniques, designs, and applications are discussed and incorporated into student work.
Hybrid Studio/Critique
Fall
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3DGL232 Cold Glass Techniques 3 cr.
An introduction to techniques, tools, and equipment used in fabricating and assembling glass objects. Topics include equipment and technical information used to cut, grind, polish, drill and sandblast glass. Proper use and maintenance of all equipment is stressed. Historical and contemporary glass techniques, designs, and applications are discussed and incorporated into student work. Emphasis is on personal expression and technical proficiency.
Hybrid Studio/Critique
Spring
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3DGL233 Sculptural Glass 3 cr.
This course emphasizes individual expression and experimentation with glass as a sculptural medium. This class instructs students in various kiln-related casting, slumping and fusing techniques. Proper use and safety with shop equipment is emphasized.
Hybrid Studio/Critique
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3DGL234 Hot Glass Casting 3 cr.
An introduction to technical information used in the process of casting molten glass. Topics include various mold-making and mixed-media applications. Proper use and maintenance of all equipment is stressed. Historical and contemporary glass techniques, designs, and applications are discussed and incorporated into student work. Projects emphasize personal expression and experimentation, and technical proficiency.
Hybrid Studio/Critique
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3DGL300 3D Seminar: Glass 3 cr.
A forum for discussion of current issues in contemporary glass object-making. Students research the topics and artists important to their own development. Visiting artists, slide lectures, studio visits and exhibitions are incorporated. Students work with faculty to develop a personal body of work that represents depth and breadth of exploration of the medium. Mid-semester critiques and final semester review boards required. Before graduation, students are required to document their work and submit 10-20 slides of their final projects to the FA3D Department.
Lecture/Seminar
Fall
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3DGL301 3D Seminar: Glass 3 cr.
A forum for discussion of current issues in contemporary glass object-making. Students research the topics and artists important to their own development. Visiting artists, slide lectures, studio visits and exhibitions are incorporated. Students work with faculty to develop a personal body of work that represents depth and breadth of exploration of the medium. Mid-semester critiques and final semester review boards required. Before graduation, students are required to document their work and submit 10-20 slides of their final projects to the FA3D Department.
Lecture/Seminar
Spring
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3DGL321 Intermediate Glassblowing 3 cr.
A continuation of basic and more advanced glassblowing techniques used to make vessels and sculptural forms. Progressively more difficult assignments develop skills and concepts. Historical and contemporary glass techniques are discussed and incorporated into student work.
Prerequisites: 3DGL231
Hybrid Studio/Critique
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3DGL334 Advanced Glassblowing 3 cr.
Challenging design and technical possibilities in functional and sculptural formats. Students incorporate advanced techniques into specific projects. Historical and contemporary glass techniques, designs, and applications are discussed and incorporated into student work. Projects emphasize personal expression and experimentation, and technical proficiency.
Hybrid Studio/Critique
Departmental Requirement
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3DGL350 Adv.Studio: Glass 3 cr.
Nurtures the development of a coherent body of work based on sophisticated techniques and a maturing sense of aesthetic direction. The course stresses the importance of drawing, models, and journals to the creative process. Through assigned projects and workshops, students work with faculty to develop a personal body of work that represents depth and breadth of exploration of the glass medium. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration. 6 credits (two semesters).
Hybrid Studio/Critique
Fall
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3DGL351 Adv.Studio: Glass 3 cr.
Nurtures the development of a coherent body of work based on sophisticated techniques and a maturing sense of aesthetic direction. The course stresses the importance of drawing, models, and journals to the creative process. Through assigned projects and workshops, students work with faculty to develop a personal body of work that represents depth and breadth of exploration of the glass medium. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration. 6 credits (two semesters)
Hybrid Studio/Critique
Spring
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3DGL401 3D Seminar: Glass 3 cr.
A forum for discussion of current issues in contemporary glass object-making. Students research the topics and artists important to their own development. Visiting artists, slide lectures, studio visits and exhibitions are incorporated. Students work with faculty to develop a personal body of work that represents depth and breadth of exploration of the medium. Mid-semester critiques and final semester review boards required. Before graduation, students are required to document their work and submit 10-20 slides of their final projects to the FA3D Department.
Lecture/Seminar
Spring
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3DGL450 Adv.Studio: Glass 3 cr.
Nurtures the development of a coherent body of work based on sophisticated techniques and a maturing sense of aesthetic direction. The course stresses the importance of drawing, models, and journals to the creative process. Through assigned projects and workshops, students work with faculty to develop a personal body of work that represents depth and breadth of exploration of the glass medium. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration. 6 credits (two semesters)
Hybrid Studio/Critique
Fall
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3DGL451 Adv.Studio: Glass 3 cr.
Nurtures the development of a coherent body of work based on sophisticated techniques and a maturing sense of aesthetic direction. The course stresses the importance of drawing, models, and journals to the creative process. Through assigned projects and workshops, students work with faculty to develop a personal body of work that represents depth and breadth of exploration of the glass medium. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration. 6 credits (two semesters)
Hybrid Studio/Critique
Spring
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Fine Arts 3D: Jewelry and Metalsmithing |
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3DML200 Jewelry 3 cr.
An introduction to basic issues and techniques unique to jewelry as a creative and expressive medium. Students discuss traditional and contemporary attitudes toward body adornment and learn the techniques of basic fabrication (cold-joining, sawing, soldering, finishing), lost-wax casting, and stone-setting. Projects use precious metals and common materials. Proper use and maintenance of all equipment is stressed.
Hybrid Studio/Critique
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3DML208 Casting Intensive for Jewelers 3cr.
With the eyes and hands of a jeweler this course investigates various casting techniques. The
class incorporates both ancient methods and contemporary practices of casting multiples with
non-ferrous metals including bronze, silver and gold. Students are required to create specific
samples and finished pieces that use the techniques taught. Students are also required to
research examples of cast jewelry found in many diverse cultures as they develop their own ideas
through non-jewelry research and observation. Safety practices are incorporated and practiced
throughout the course. Importance is placed on wearibilty, craftsmanship, respect for safety and
idea development. This course is open to all levels.
Prerequisites: Take 3DML-200, or 3DML-210, or 3DML-229
Undergraduate Elective
Fall Only
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3DML210 Beginning Metal 3 cr.
An introduction to basic metalworking techniques, focusing on design and function. Assignments cover problems that are both aesthetic and technical. Metal fabrication, inlay, forging, sinking, and stone-setting are introduced. Proper use and maintenance of all equipment is stressed.
Hybrid Studio/Critique
Fall
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3DML213 Fiber Techniques & Metals 3cr.
Fiber techniques in metal such as crocheting, knitting and weaving as well as fiber-based
techniques of sewing and felting will be introduced and applied to three-dimensional
jewelry and object making. Focusing on historical and contemporary uses of fiber techniques in
metal, this course will explore relationships between metal and fiber through a series of
independent projects.
Undergraduate Elective
Spring Only
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3DML220 Intermediate Metals 3 cr.
Study in Series: development of a personal style through a series of projects based on one source. Projects include technical and aesthetic experimentation in casting, raising (sheet form-making), etching, and chasing and repousse.
Prerequisites: 3DML-210 or 3DML-200
Hybrid Studio/Critique
Spring
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3DML230 Color and Metal 3 cr.
An examination of the color palette available for metals. Projects include enameling, patination, alloy-making, and painting. Proper use and maintenance of all equipment is stressed.
Hybrid Studio/Critique
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3DML300 3D Seminar: Metals
A forum for discussion of current contemporary art making issues in the medium of metal. Students
research the topics and artists important to their own development. Visiting artists, slide lectures,
studio visits, and exhibitions are incorporated. With faculty assistance, students define and
develop a personal body of work. An active journal with source material related to this work is
required, as are mid-semester critiques and final semester review boards. Prerequisite: MTL210 and
any metals elective.
Prerequisites: 3DML-210, 3DML-220 and 3DTD-201
Fall Only
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3DML301 3D Seminar: Metals 3 cr.
Spring semester junior level seminar. A forum for discussion of current contemporary art-making issues in the medium of metal. Students research the topics and artists important to their own development. Visiting artists, slide lectures, studio visits, and exhibitions are incorporated. With faculty assistance, students define and develop a personal body of work. An active journal with source material related to this work is required, as are mid-semester critiques and final semester review boards.
Lecture/Seminar
Spring
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3DML302 Advanced Jewelry 3CR
Advanced Jewelry is an upper level course in
which technical applications are explored and
incorporated in the format of body adornment. A
series of traditional and contemporary techniques
are demonstrated in class and students are
required to create samples. The technical samples
coupled with the completed pieces of jewelry are
an opportunity to gain a working knowledge and
fluency with gold and silversmithing techniques
while being a thoughtful and creative studio
jeweler.
Prerequisites: 3DML-200 or 3DML-220
Hybrid Studio Critique
Fall
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3DML304 CAD for Jewelry and Metals 3 cr.
Computer-Aided Design for Jewelry and Metals is a focused elective that covers fundamental strategies and methods for creating jewelry and metal objects using computer technology. CAD and 3D modeling programs are used for developing a series of objects that are designed to be made with a variety of output including CNC milling and rapid prototyping.
Prerequisites: MTL210 or MTL200 or permission
Hybrid Studio/Critique
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3DML305 Raising and Forming 3 cr.
This course uses traditional large-scale forming techniques to develop sculptural forms and vessels. Raising or smithing skills are required.
Prerequisites: 3D220 or 3DSC353
Hybrid Studio/Critique
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3DML307 Color & Concept 3CR
Color is a powerful means of expression for
artists. This course, designed for advanced level
students, is an in-depth exploration of
innovative options for the use of color within a
jewelry and metal working practice. It addresses
both conceptual as well as practical application
of color. Students research and discuss the
concepts surrounding and psychological meaning of
colors with the goal of encouraging the
development of a personal palette and its
application to individual
projects.
Demonstrations cover traditional surface
treatments such as patinas, painting and
enameling as well as the application of resins
and powder coating. Students learn how to work
with synthetic materials like Acrylic and Nylon
and dyes to color them. Equal emphasis is placed
on gaining technical proficiency and on
individual experimentation.
Upon completing this course, students make a
specific body of work of jewelry and/or objects
that exhibit an understanding of the application
of color both conceptually and through process.
Co-requisites: 3DML-200 0R 3DML-210 OR Permission of the Instructor
Hybrid Studio Critique
Spring
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3DML350 Adv.Studio: Metals 3 cr.
Nurtures the development of a coherent body of work based on sophisticated techniques and a maturing sense of aesthetic direction. The course stresses the importance of drawing, models, and journals to the creative process. Students propose and complete three projects. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration.
Hybrid Studio/Critique
Fall
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3DML351 Adv.Studio: Metals 3 cr.
Nurtures the development of a coherent body of work based on sophisticated techniques and a maturing sense of aesthetic direction. The course stresses the importance of drawing, models, and journals to the creative process. Students propose and complete three projects. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration.
Prerequisites: 3DML350
Hybrid Studio/Critique
Spring
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3DML392 MTL Course Assistantship
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3DML399 MTL Independent Study
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3DML401 3D Seminar: METALS 3 cr.
Spring semester majors seminar. A forum for discussion of current issues in contemporary metal object-making. Students research the topics and artists important to their own development. Visiting artists, slide lectures, studio visits, and exhibitions are incorporated. Students work with faculty to develop a personal body of work that represents depth and breadth of exploration of the medium. Mid-semester critiques and final semester review boards required. Before graduation, students are required to document their work and submit 10-20 slides of their final projects to the FA3D Department.
Lecture/Seminar
Spring
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3DML450 Adv.Studio: Metals 3 cr.
Production of a consistent, advanced body of work. Students work with faculty to develop a personal body of work that represents depth and breadth of exploration of the medium. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration. 6 credits.(two semesters)
Hybrid Studio/Critique
Fall
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3DML451 Adv.Studio: Metals 3 cr.
Production of a consistent, advanced body of work. Students work with faculty to develop a personal body of work that represents depth and breadth of exploration of the medium. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration. 6 credits.(two semesters)
Prerequisites: 3DML450
Hybrid Studio/Critique
Spring
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Fine Arts 3D: Sculpture |
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3DML315 Animal Sculpting 3cr
This course is taught in two segments. The first segment consists of building an ecorche of a cow. Students examine the anatomy of the cow through reference sources and from life, with a goal of
developing an understanding the internal structures which account for it’s form. During the second segment, students have an opportunity to apply what they learned by creating a sculpture of the animal they choose. This course require field trips.
Prerequisites: Anatomical Structures preferred, but not required.
Hybrid Studio Critique
Spring
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3DSC3X0 Advanced Figurative Sculpture 3 cr.
Hybrid Studio/Critique
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3DSC3X1 Bladesmithing 3 cr.
Course will include a compressed pattern welding (Damascus steel) tutorial with students grouped in pairs to produce the pattern welded steel for their projects. Second phase will include: knife design and construction. Third phase will include fabrication and finishing of projects.
Prerequisites: 3DSC253
Hybrid Studio/Critique
All College Elective
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3DSC3X2 Technology and Culture 3 cr.
This is a studio course open to beginning and advanced students. The course will focus on the interrelationship between technology and culture and is dedicated to the study of historically significant artifacts.
Hybrid Studio/Critique
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3DSC201 Foundry Processes in Sculpture 3 cr.
An introduction to the foundry process. Students make bronze and aluminum castings using processes of greensand and lost-wax ceramic shell casting. Course covers mold-making, casting, and chasing. Emphasis is on personal expression and technical proficiency. Proper use and maintenance of all tools is stressed.
Hybrid Studio/Critique
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3DSC202 Ceramic Handbuilding 3 cr.
Exploration and instruction to develop technical, aesthetic, and skills in ceramic handbuilding processes. Projects are designed to use clay as a versatile material for all types of object-making. Students investigate historical and contemporary artists and techniques. Various tools include the slab roller, extruders, plaster molds, and sand blaster. Slip/glaze applications include both high and low-fire techniques with gas and electric kilns.
Hybrid Studio/Critique
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3DSC203 Molding and Casting 3 cr.
This is a beginning course in mold-making, introducing materials and techniques used in the creation of rigid and flexible molds. Initial focus will be on traditional casting methods, including life-casting and the use of waste molds, but as the semester progresses and the student begins to understand the possibilities of the processes, alternative methods and materials will be introduced.
Hybrid Studio/Critique
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3DSC220 Iron Casting 3 cr
Ironcasting as an art form has grown out of hundreds of years of ritual ceremony and industrial innovation. This convergence has been reinvented and found new life in the contemporary sculpture field. This course will cover the multi-faceted discipline of ironcasting, including the function of the furnace and corresponding equipment, cast iron art objects, and the performance potential of the material in its liquid state, with particular emphasis on safety and proper procedure. We will examine different mold possibilities used in conjunction with this process; including ceramic shell, the introduction of resin-bonded sand, and alternative, unconventional, casting practices. Throughout the course will discuss the historical, contemporary, and conceptual attributes of cast iron as a sculpture material, approaching our investigation this from both a technical and aesthetic vantage point.
Prerequisites: 3DSC220
hybrid studio/critique
elective
Fall
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3DSC221 Flexible Structures 3 cr.
An exploration of traditional and nontraditional methods of form-making using a variety of flexible, soft, or fibrous materials. Projects explore both technical and conceptual possibilities. Students investigate materials for their potential as sculptural, architectural, functional objects and as mixed-media installations and site-specific environments.
Hybrid Studio/Critique
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3DSC222 Puppet Workshop 3 cr.
This course is an introduction to the basics of movable dynamic figures (possibly human but possibly otherwise) in a variety of materials which respond to the action of the human hand (or, conceivably, other body parts). Through lectures, demonstrations and assigned projects, this course will cover the creation of a variety of movable joints. The class will concern itself with an assortment of means of providing and delivering motivation from human students to otherwise inanimate puppets, either directly or with such means as strings, rods or other connectors. Put simply, we want to make puppets, we want them to be movable and we want to make them move.
Hybrid Studio/Critique
Departmental Elective
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3DSC223 Design and Construction in Metal 3 cr.
Introduction to “cold” metal fabrication techniques and machining processes. Students learn to make precise measurements, read mechanical drawings, design and create various types of mechanical joints. Processes include use of power shear, sheet roller, pan brake, English wheel, precision lathe and vertical milling machine. Each student is encouraged to create a final project that integrates these techniques and processes with their personal artistic goals.
Hybrid Studio/Critique
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3DSC234 Metalshop I 3cr
Students in Metalshop I will focus on engaging with MIG welding, and ancillary metalshop tools such as, but not limited to: bandsaws, sanders, shears, rolls, drill presses, etc. The course focuses on craft, with an emphasis on safety and studio practice and community.
Hybrid Studio Critique
Fall
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3DSC235 Portraiture 3CR
A sculptural study of the elements and practice
of portraiture. Students will begin with a
life-size anatomical study of the human head in
clay from a model. The remainder of the semester
will be devoted to the creation of portraits,
possibly in clay and possibly in other materials,
and the development of an individual form
language. Throughout the class we will be
examining aspects of various styles of
portraiture from different eras and considering
the requirements of the genre.
Hybrid Studio Critique
Spring
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3DSC251 Figurative Clay 3 cr.
The human body is a complex form. During this studio course we will simplify this form by
breaking it down to it’s basic components, and develop an understanding of the relationships
between the parts and the ways in which that relationship contributes to gesture. We will also
explore modeling drapery and a portion of the semester will be spent on figurative relief in
clay. Live models will be used throughout the course as reference.
Hybrid Studio/Critique
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3DSC253 Welding 3 cr.
An introduction to the construction of steel sculpture produced through oxy-gas and arc welding. Students work with forging and machine shop practices.
Hybrid Studio/Critique
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3DSC260 Woodcarving 3 cr.
An introduction to wood-carving methods with basic information about types of wood and traditional uses. Demonstrations cover use and care of mallets,chisels and knives. Proper use and maintenance of all tools is stressed.
Hybrid Studio/Critique
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3DSC300 3D Seminar: Sculpture 3 cr.
A forum for discussion of current contemporary art-making issues in sculpture. Students research the topics and artists important to their own development. Visiting artists, slide lectures, studio visits and exhibitions are incorporated. With faculty assistance, students define and develop a personal body of work that represents depth and breadth of exploration of appropriate media. An active journal with source material related to this work is required, as are mid-semester critiques and final semester review boards. 6 credits (two semesters)
Prerequisites: All freshman and sophomore prerequisites
Lecture/Seminar
Fall
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3DSC301 3D Seminar: Sculpture 3 cr.
A forum for discussion of current contemporary art-making issues in sculpture. Students research the topics and artists important to their own development. Visiting artists, slide lectures, studio visits and exhibitions are incorporated. With faculty assistance, students define and develop a personal body of work that represents depth and breadth of exploration of appropriate media. An active journal with source material related to this work is required, as are mid-semester critiques and final semester review boards. 6 credits (two semesters)
Lecture/Seminar
Spring
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3DSC309 Advanced Wood Sculpture 3 cr.
This is a hands-on studio course focusing on sculptural object-making, using wood as a medium. The course will integrate intuitive approaches and structured processes through direct engagement with the material. In addition to guiding the student through various technical hurdles encountered as the projects unfold, equal stress is placed on the development of ideas and intent. Investigations in planning and prototyping, multiples production and large-scale works will also be included.
Prerequisites: 3DTD201 or EDAD202
Hybrid Studio/Critique
All College Elective
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3DSC310 Intro to Kinetic Art 3 cr.
This course is intended for object-makers, to introduce motion into their sculpture. An overview on the history of kinetic art is provided to inspire a richness of conceptual thinking. The course is directed toward a final project of the student’s design, which may be sculpture, installation, performance, costume, robotics, toys, etc. Issues covered include: mechanism design and troubleshooting; hand cranks; ratchets; solenoids; motors; drive systems; and, basic steelworking techniques aimed at building safe and reliable kinetic art.
Prerequisites: 3DSC253, 3DSC264 or instructor’s permission
Hybrid Studio/Critique
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3DSC313 Advanced Foundry 3cr
Students in this section review and build upon
the techniques and processes from 3DSC201, and
are exposed to knowledge about how to run foundry
equipment such as: burnout kilns, melting
furnaces, and ceramic shell slurry equipment.
Prerequisites: 3DSC-201
Hybrid Studio Critique
Undergraduate Elective
Fall and Spring
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3DSC334 Metalshop II 3cr
Metalshop II begins where Metalshop I left off. First, there will be a review of the techniques learned in Metalshop I. Machining and
cold-connections will be explored alongside and building upon skills from Metashop I.
Prerequisites: 3DSC-253 or 3DSC-234
Hybrid Studio Critique
Fall and Spring
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3DSC350 Adv.Studio: Sculpture 3 cr.
Nurtures the development of a coherent body of work based on sophisticated techniques and a maturing sense of aesthetic direction. The course stresses the importance of drawing, model-making, and journals to the creative process. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration. 6 credits (two semesters).
Hybrid Studio/Critique
Fall
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3DSC351 Adv.Studio: Sculpture 3 cr.
Nurtures the development of a coherent body of work based on sophisticated techniques and a maturing sense of aesthetic direction. The course stresses the importance of drawing, model-making, and journals to the creative process. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration. 6 credits (two semesters).
Hybrid Studio/Critique
Spring
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3DSC353 Metals Fabrication & Blacksmithing 3 cr.
Development of skills and techniques used in ferrous and nonferrous metal object-making. Students learn hot forge processes and machine tooling. Projects incorporate conceptual experimentation and technical skill development. Proper use and maintenance of all equipment is stressed.
Prerequisites: 3DSC253
Hybrid Studio/Critique
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3DSC354 Anatomical Structure 3 cr.
An in-depth study of the bones and muscles of the human figure, working primarily in 3D form. Course covers movement, proportions, and development through growth and aging.
Hybrid Studio/Critique
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3DSC392 SC Course Assistantship
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3DSC399 SC Independent Study
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3DSC399 SC Independent Study
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3DSC401 3D Seminar: Sculpture 3 cr.
A forum for discussion of current issues related to contemporary sculpture. Students research the topics and artists important to their own development. Visiting artists, slide lectures, studio visits, and exhibitions are incorporated. Students work with faculty to develop a personal body of work that represents depth and breadth of exploration of appropriate media. Mid-semester critiques and final semester review boards required. Before graduation, students are required to document their work and submit 10-20 slides of their final projects to the FA3D Department.
Lecture/Seminar
Spring
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3DSC434 Metalshop III 3cr
Metalshop III is for students who are thoroughly engaged in all aspects of metalworking. Students will review the processes developed from Metalshop II, and create their own projects to
complete. All aspects of Metalworking in the shop will be engaged.
Prerequisites: 3DSC-201 and 3DSC-334
Hybrid Studio Critique
Fall and Spring
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3DSC450 Adv.Studio: Sculpture Not on Web 3 cr.
Production of a consistent, advanced body of work. Students work with faculty to develop a personal body of work that represents depth and breadth of exploration of appropriate media. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration. 6 credits
Hybrid Studio/Critique
Departmental Requirement
Fall
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3DSC451 Adv.Studio: Sculpture 3 cr.
Production of a consistent, advanced body of work. Students work with faculty to develop a personal body of work that represents depth and breadth of exploration of appropriate media. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration. 6 credits
Prerequisites: All freshman/sophomore level SC requirements (SC200/SC201)
Hybrid Studio/Critique
Departmental Requirement
Spring
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Fine Arts 3D: Three Dimensional Arts |
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3DTD201 Projects in Wood 3 cr.
An introduction to object-building in the woodshop. Students are instructed in the proper use and application of hand and power tools, material selection, and safety issues. Weekly projects incorporate design/concept problem solving with various construction form-making techniques.
Prerequisites: SFDN182, SFDN183, SFDN191
Hybrid Studio/Critique
Fall/Spring
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3DTD208 Objects That Change Lives 3 cr.
This is a studio-based course that focuses on making ceramic objects which improve people’s health and living conditions. Students will be introduced to various global non-profit organizations whose missions are to combine art and social concerns, including water purification, hunger, shelter and mental stress while learning how to make their own ceramic objects. Various handbuilding, wheelthrowing, mold-making and design techniques will be used in studio projects. This course is appropriate for both beginning and advanced-level students.
Hybrid Studio/Critique
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3DTD212 Studio Practice 3cr
This course is designed to welcome new FA3D majors into the practices and dialogues centered within material and object-based disciplines. By integrating making and dialogue, and focusing on what it means to develop a practice in the studio, the course offers a platform for organizing the learning of electives, studio and seminar courses to come. Through dialogue with students across all areas of the major and through the involvement of faculty from all areas, a shared understanding and
differentiated vocabulary can be cultivated. Particular attention will be brought to unpacking the complex inheritances and hierarchies of our fields.
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3DTD213 Artist Resource Projects 3 cr.
MassArt is an institution, but it doesn’t have to look like one! There are many needs that the college has for stairway banisters, planters, railings, conference tables, signage etc. This course is a focused effort to address some of the needs of the college as a professional, creative opportunity. Students select one or more projects for the class to address as a group effort.
Hybrid Studio/Critique
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3DTD214 Lasercutting for Object Makers 3cr.
This is a multi-disciplinary course using laser-cutting technology to explore new ways of
designing and making art with digital design processes to achieve a physical outcome. The
course provides a hands-on introduction to laser technology as a resource for creative
applications within the art practice. Students will investigate the use of multiple materials
resulting in sculptural objects and installation concepts, jewelry and accessories, apparel and
functional products. This process is particularly interesting for the creation of
multiples, for the fabrication of functional components, for the production of repeated simple
shapes and for the creation of one of a kind objects. In addition instruction in laser cutting
and software, students will be introduced to the use of hand tools, drills, cold connections, heat
forming and adhesives.
Undergraduate Elective
Spring Only
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3DTD215 Technology & Culture I 3cr
“Technology & Culture I is an “envelope”, or “template” course; whereby the general course content, outcomes, and methods for assessment remain the same in addressing various topics.
“Technology and Culture I:” is a project-based all college elective and departmental elective that has no prerequisite. This course provides the opportunity for students from all levels to
participate in a collaborative effort to fully explore the significance of a specific historic object, object type, or method of object-making.
Sample Topic:
Technology & Culture I: Trojan Horse
In this course students will research the history of the Trojan Horse through an intense investigation of myth, literature, history, art, architecture, archeological findings, sculpture, drawings, period boat building techniques, material culture, ancient horses, bronze age tools, art and crafts building techniques. This semester will include research, lectures, demonstrations, museum visits, drawings, model making, and presentations. During the semester students will produce drawings clay models, and wooden models of the Trojan Horse with the intention ultimately to build a full-scale reproduction in wood in cooperation with the International SPY Museum In Washington DC.
Hybrid Studio Critique
Fall and Spring
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3DTD216 Lighting Design for Object Makers 3CR
Engaging with Light as a material, and how light
interacts with traditional and non-traditional
materials such as wood, paper, concrete, metal,
plastic, stone, etc., and how that light behaves
when deployed in different settings, such as a
living room, bed room, corporate office, etc.
Students will explore how light is transmitted
from different sources, how it transmits through
and reflects off different materials and how that
shaped the way we experience spaces.
Hybrid Studio Critique
Fall
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3DTD309 History of Adornment 3 cr.
This lecture-based course is designed to provide a deeper understanding of the jewelry traditions in non-western as well as western cultures. Topics are thematically organized and examine historic and contemporary contexts through slide lectures. The lectures are complemented by a library tour, fieldtrips, visits to local museum collections and current gallery exhibitions and visiting artist lectures (which are organized by the Jewelry and Metalsmithing Area). Ongoing class discussions focus on related topics and assigned reading material. Part of the class is geared towards strengthening presentation as well as research skills through specific assignments.
Lecture/Seminar
All College Elective
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3DTD310 Theme: Narrative 3CR
An investigation of traditional and modern uses
of symbols through objects and place. Projects
cover storytelling, literary comparisons, and
analogies with ancient and personal ritual
objects and images.
Hybrid Studio Critique
Spring
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3DTD320 Critique Practices 3cr
This course takes studio critique as both a subject of study and as a practice of peer inquiry and feedback. As the subject of the
course, the practice of critique is studied through readings and reflections upon the history, current norms, and emergent practices of peer review today, particularly in relation to questions of equity within arts education. As practice for the course, students will examine their own and others’ work through emergent modes
of critique with the aim of better understanding both the work and the practice of critique itself.
Critique
Spring
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3DTD330 The Art of Furniture Design I: Fundamentals of Design and Construction 3 cr.
In this course students initiate and are guided through a hands-on design/build project based on fundamental tenets of furniture design. Students will come to class with work from Design Processes for Furniture Design to use as the basis for their project. This studio shop course will begin with a review of design fundamentals and the concept design process. If necessary, concepts are refined through additional drawings and maquette model-making as preparation for the concluding phase: completion of the final product. This class will also be open to students outside of the certificate program who have experience in basic hand tool use and maintenance as well as a comfort level for work in standing machine power tools.
Prerequisites: Design Processes for Furniture Design
Hybrid Studio/Critique
Departmental Elective
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