May 18, 2024  
Academic Catalog 2019-2020 
    
Academic Catalog 2019-2020 [ARCHIVED CATALOG]

Courses


 

Fine Arts 3D: Sculpture

  
  • 3DSC3X0 Advanced Figurative Sculpture 3 cr.


    Hybrid Studio/Critique

  
  • 3DSC3X1 Bladesmithing 3 cr.


    Course will include a compressed pattern welding (Damascus steel) tutorial with students grouped in pairs to produce the pattern welded steel for their projects. Second phase will include: knife design and construction. Third phase will include fabrication and finishing of projects.

    Prerequisites: 3DSC253

    Hybrid Studio/Critique

    All College Elective
  
  • 3DSC3X2 Technology and Culture 3 cr.


    This is a studio course open to beginning and advanced students. The course will focus on the interrelationship between technology and culture and is dedicated to the study of historically significant artifacts.

    Hybrid Studio/Critique

  
  • 3DSC201 Foundry Processes in Sculpture 3 cr.


    An introduction to the foundry process. Students make bronze and aluminum castings using processes of greensand and lost-wax ceramic shell casting. Course covers mold-making, casting, and chasing. Emphasis is on personal expression and technical proficiency. Proper use and maintenance of all tools is stressed.

    Hybrid Studio/Critique

  
  • 3DSC202 Ceramic Handbuilding 3 cr.


    Exploration and instruction to develop technical, aesthetic, and skills in ceramic handbuilding processes. Projects are designed to use clay as a versatile material for all types of object-making. Students investigate historical and contemporary artists and techniques. Various tools include the slab roller, extruders, plaster molds, and sand blaster. Slip/glaze applications include both high and low-fire techniques with gas and electric kilns.

    Hybrid Studio/Critique

  
  • 3DSC203 Molding and Casting 3 cr.


    This is a beginning course in mold-making, introducing materials and techniques used in the creation of rigid and flexible molds. Initial focus will be on traditional casting methods, including life-casting and the use of waste molds, but as the semester progresses and the student begins to understand the possibilities of the processes, alternative methods and materials will be introduced.

    Hybrid Studio/Critique

  
  • 3DSC220 Iron Casting 3 cr


    Ironcasting as an art form has grown out of hundreds of years of ritual ceremony and industrial innovation. This convergence has been reinvented and found new life in the contemporary sculpture field. This course will cover the multi-faceted discipline of ironcasting, including the function of the furnace and corresponding equipment, cast iron art objects, and the performance potential of the material in its liquid state, with particular emphasis on safety and proper procedure. We will examine different mold possibilities used in conjunction with this process; including ceramic shell, the introduction of resin-bonded sand, and alternative, unconventional, casting practices. Throughout the course will discuss the historical, contemporary, and conceptual attributes of cast iron as a sculpture material, approaching our investigation this from both a technical and aesthetic vantage point.

    Prerequisites: 3DSC220

    hybrid studio/critique

    elective
    Fall
  
  • 3DSC221 Flexible Structures 3 cr.


    An exploration of traditional and nontraditional methods of form-making using a variety of flexible, soft, or fibrous materials. Projects explore both technical and conceptual possibilities. Students investigate materials for their potential as sculptural, architectural, functional objects and as mixed-media installations and site-specific environments.

    Hybrid Studio/Critique

  
  • 3DSC222 Puppet Workshop 3 cr.


    This course is an introduction to the basics of movable dynamic figures (possibly human but possibly otherwise) in a variety of materials which respond to the action of the human hand (or, conceivably, other body parts). Through lectures, demonstrations and assigned projects, this course will cover the creation of a variety of movable joints. The class will concern itself with an assortment of means of providing and delivering motivation from human students to otherwise inanimate puppets, either directly or with such means as strings, rods or other connectors. Put simply, we want to make puppets, we want them to be movable and we want to make them move.

    Hybrid Studio/Critique

    Departmental Elective
  
  • 3DSC223 Design and Construction in Metal 3 cr.


    Introduction to “cold” metal fabrication techniques and machining processes. Students learn to make precise measurements, read mechanical drawings, design and create various types of mechanical joints. Processes include use of power shear, sheet roller, pan brake, English wheel, precision lathe and vertical milling machine. Each student is encouraged to create a final project that integrates these techniques and processes with their personal artistic goals.

    Hybrid Studio/Critique

  
  • 3DSC232 Color for Object Makers 3cr


    This course looks at the use of color in historical and contemporary sculptural practices.
    The goals of this course are for students to engage and understand the following:

    The qualities and properties of color. The influence of historical practices on the use
    of color in sculpture. The use of color in object making. The relationship between color and meaning. The theories underlying contemporary understanding of the social and psychological impact of color.

    Seminar Critique

    Undergraduate Elective
    Fall

  
  • 3DSC234 Metalshop I 3cr


    Students in Metalshop I will focus on engaging with MIG welding, and ancillary metalshop tools such as, but not limited to: bandsaws, sanders, shears, rolls, drill presses, etc. The course focuses on craft, with an emphasis on safety and studio practice and community.

    Hybrid Studio Critique

    Fall
  
  • 3DSC235 Portraiture 3CR


    A sculptural study of the elements and practice
    of portraiture. Students will begin with a
    life-size anatomical study of the human head in
    clay from a model. The remainder of the semester
    will be devoted to the creation of portraits,
    possibly in clay and possibly in other materials,
    and the development of an individual form
    language. Throughout the class we will be
    examining aspects of various styles of
    portraiture from different eras and considering
    the requirements of the genre.

    Hybrid Studio Critique

    Spring
  
  • 3DSC251 Figurative Clay 3 cr.


    The human body is a complex form. During this studio course we will simplify this form by
    breaking it down to it’s basic components, and develop an understanding of the relationships
    between the parts and the ways in which that relationship contributes to gesture. We will also
    explore modeling drapery and a portion of the semester will be spent on figurative relief in
    clay. Live models will be used throughout the course as reference.

    Hybrid Studio/Critique

  
  • 3DSC253 Welding 3 cr.


    An introduction to the construction of steel sculpture produced through oxy-gas and arc welding. Students work with forging and machine shop practices.

    Hybrid Studio/Critique

  
  • 3DSC260 Woodcarving 3 cr.


    An introduction to wood-carving methods with basic information about types of wood and traditional uses. Demonstrations cover use and care of mallets,chisels and knives. Proper use and maintenance of all tools is stressed.

    Hybrid Studio/Critique

  
  • 3DSC300 3D Seminar: Sculpture 3 cr.


    A forum for discussion of current contemporary art-making issues in sculpture. Students research the topics and artists important to their own development. Visiting artists, slide lectures, studio visits and exhibitions are incorporated. With faculty assistance, students define and develop a personal body of work that represents depth and breadth of exploration of appropriate media. An active journal with source material related to this work is required, as are mid-semester critiques and final semester review boards. 6 credits (two semesters)

    Prerequisites: All freshman and sophomore prerequisites

    Lecture/Seminar

    Fall
  
  • 3DSC301 3D Seminar: Sculpture 3 cr.


    A forum for discussion of current contemporary art-making issues in sculpture. Students research the topics and artists important to their own development. Visiting artists, slide lectures, studio visits and exhibitions are incorporated. With faculty assistance, students define and develop a personal body of work that represents depth and breadth of exploration of appropriate media. An active journal with source material related to this work is required, as are mid-semester critiques and final semester review boards. 6 credits (two semesters)

    Lecture/Seminar

    Spring
  
  • 3DSC304 Advanced Metal Project 3 cr.


    This course offers to students who have successfully completed any of the beginning metalshop classes a venue to further enhance their hand and conceptual skills. Projects will be generated individually , and each student will develop a series of works based upon his or her preferred medium. Drawings, process plans, and critiques will be an integral part of the class. Students will be expected to present their work to the class for feedback all during the process. Advanced welding, fabrication, black-smithing, and foundry will be covered on an as-needed basis.

    Prerequisites: Take one of the following:

    3DSC-253 Welding
    3DSC-234 Metalshop I
    3DSC-223 Design & Construction in Metal
    3DML-304 CAD for Jewelry & Metalsmithing
    3DTD-306 3D CAD
    EDAD-318 Revit I & II
    EDAD-518 Revit I & II (grad section)
    EDID-216 Intro CAD

    Hybrid Studio/Critique

  
  • 3DSC309 Advanced Wood Sculpture 3 cr.


    This is a hands-on studio course focusing on sculptural object-making, using wood as a medium. The course will integrate intuitive approaches and structured processes through direct engagement with the material. In addition to guiding the student through various technical hurdles encountered as the projects unfold, equal stress is placed on the development of ideas and intent. Investigations in planning and prototyping, multiples production and large-scale works will also be included.

    Prerequisites: 3DTD201 or EDAD202

    Hybrid Studio/Critique

    All College Elective
  
  • 3DSC310 Intro to Kinetic Art 3 cr.


    This course is intended for object-makers, to introduce motion into their sculpture. An overview on the history of kinetic art is provided to inspire a richness of conceptual thinking. The course is directed toward a final project of the student’s design, which may be sculpture, installation, performance, costume, robotics, toys, etc. Issues covered include: mechanism design and troubleshooting; hand cranks; ratchets; solenoids; motors; drive systems; and, basic steelworking techniques aimed at building safe and reliable kinetic art.

    Prerequisites: 3DSC253, 3DSC264 or instructor’s permission

    Hybrid Studio/Critique

  
  • 3DSC313 Advanced Foundry 3cr


    Students in this section review and build upon
    the techniques and processes from 3DSC201, and
    are exposed to knowledge about how to run foundry
    equipment such as: burnout kilns, melting
    furnaces, and ceramic shell slurry equipment.

    Prerequisites: 3DSC-201

    Hybrid Studio Critique

    Undergraduate Elective
    Fall and Spring
  
  • 3DSC334 Metalshop II 3cr


    Metalshop II begins where Metalshop I left off. First, there will be a review of the techniques learned in Metalshop I. Machining and
    cold-connections will be explored alongside and building upon skills from Metashop I.

    Prerequisites: 3DSC-253 or 3DSC-234

    Hybrid Studio Critique

    Fall and Spring
  
  • 3DSC350 Adv.Studio: Sculpture 3 cr.


    Nurtures the development of a coherent body of work based on sophisticated techniques and a maturing sense of aesthetic direction. The course stresses the importance of drawing, model-making, and journals to the creative process. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration. 6 credits (two semesters).

    Hybrid Studio/Critique

    Fall
  
  • 3DSC351 Adv.Studio: Sculpture 3 cr.


    Nurtures the development of a coherent body of work based on sophisticated techniques and a maturing sense of aesthetic direction. The course stresses the importance of drawing, model-making, and journals to the creative process. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration. 6 credits (two semesters).

    Hybrid Studio/Critique

    Spring
  
  • 3DSC353 Metals Fabrication & Blacksmithing 3 cr.


    Development of skills and techniques used in ferrous and nonferrous metal object-making. Students learn hot forge processes and machine tooling. Projects incorporate conceptual experimentation and technical skill development. Proper use and maintenance of all equipment is stressed.

    Prerequisites: 3DSC253

    Hybrid Studio/Critique

  
  • 3DSC354 Anatomical Structure 3 cr.


    An in-depth study of the bones and muscles of the human figure, working primarily in 3D form. Course covers movement, proportions, and development through growth and aging.

    Hybrid Studio/Critique

  
  • 3DSC392 SC Course Assistantship


  
  • 3DSC398 SC Internship


  
  • 3DSC399 SC Independent Study


  
  • 3DSC399 SC Independent Study


  
  • 3DSC401 3D Seminar: Sculpture 3 cr.


    A forum for discussion of current issues related to contemporary sculpture. Students research the topics and artists important to their own development. Visiting artists, slide lectures, studio visits, and exhibitions are incorporated. Students work with faculty to develop a personal body of work that represents depth and breadth of exploration of appropriate media. Mid-semester critiques and final semester review boards required. Before graduation, students are required to document their work and submit 10-20 slides of their final projects to the FA3D Department.

    Lecture/Seminar

    Spring
  
  • 3DSC434 Metalshop III 3cr


    Metalshop III is for students who are thoroughly engaged in all aspects of metalworking. Students will review the processes developed from Metalshop II, and create their own projects to
    complete. All aspects of Metalworking in the shop will be engaged.

    Prerequisites: 3DSC-201 and 3DSC-334

    Hybrid Studio Critique

    Fall and Spring
  
  • 3DSC450 Adv.Studio: Sculpture Not on Web 3 cr.


    Production of a consistent, advanced body of work. Students work with faculty to develop a personal body of work that represents depth and breadth of exploration of appropriate media. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration. 6 credits

    Hybrid Studio/Critique

    Departmental Requirement
    Fall
  
  • 3DSC451 Adv.Studio: Sculpture 3 cr.


    Production of a consistent, advanced body of work. Students work with faculty to develop a personal body of work that represents depth and breadth of exploration of appropriate media. Group and individual discussions emphasize the development of critical vocabulary along with advanced technical exploration. 6 credits

    Prerequisites: All freshman/sophomore level SC requirements (SC200/SC201)

    Hybrid Studio/Critique

    Departmental Requirement
    Spring